Monday, 20 January 2014

The LIGHT Architecture


QUALITY OF LIGHT   http://www.nebulaedeveloper.com/
                                             Brightness ….. its perception, Brightness is a function of the Amount of light falling on the surface and Reflectivity of the surface. Parent Brightness depends on the ability of the eyes to adapt to its surroundings. Competing Brightness’s we able for good visibility conditions. Control of relative brightness determines the success of the lighting system. Excessive brightness rations in the  filed of view results in poor visibility.

ABOUT LIGHT
LIGHT  AND DARKNESS     
Factors to be considered variation in the amount and direction of the incident light. Variation in the sunlight intensity  and  position in the sky. Luminance and Luminance Distribution of clear, partly cloudy and over cast sky. Effects of local Terrain Landscaping and nearby buildings on the available day light.

DAYLIGHT VARIABILITY
Daily and seasonal variations – due to movement of the Sun variations due to changes in Weather (clarity of the sky) variations due to Cloud Movements which occur within seconds. Day light May lead to problems of Overheating under lighting has better results as a slightly under lit roomies Psychologically more acceptable, as light is mentally associated with warmth and Reduced lighting with coolness.

SUN AS A SOURCE OF LIGHT

Amount of light varies with Depth of Atmosphere, The sunlight travels, Elevation of Sun above Horizon, Amount of Atmospheric Dust and Moisture. The Position of the Sun with respect top any reference point is expressed to any solar Altitude and Solar Azimuth Angles. Luminance on exterior surface is due the Amount of dust and Haza.

COLOUR CONTENT OF LIGHT SOURCES 

Daylight in sunrise and sunset are very warm. At Noon the light is cool and even cooler if the sky is over cast. Warm North west slay Noon clear blue over cask sky cool sunrise, sunset. Incandescence light  warm Yellowish Halogne light. Enhanced blue Spectrum Florescent light. Cool source sunlight. Yellow Skylights white Bluish.
Color temperature 

Although surface colour has long been a primary consideration, colour as a controlled characteristic of light  has historic precedence.

Color perception  

Results from the complex interaction between a light source, an object, the eye and the brain. Darkness is the counterpart of light. Each complements theater a bright surface could be appreciated fully when compared with a relatively darkener surfaces of | luminance affected by psychological factor.

WINDOWS AS VISUAL LINKS WITH THE OUT SIDE   

Satisfaction derived from a window view is related to the total visual field which it occupies and hence is a function of solid angle. National stratification of view immediate foreground middle distance sky if for some reason view is restricted at least some portion of each layer should be visible rather than one layer alone. Further transoms should not obstruct the dividing lines.

v  The sky if formation about  (upward) time of day weather conditions. Provides varying light Exposure thus reducing monotony | Maintenance of Proper Biological cycles.

v  The Horizon – Stabilizing, Comforting inner feeling (Level) Maintains senses of Balance.

v  The ground Keeps one in tough with outside Activities & with nature.

VERTICAL OPENING
More effective in letting in daylight granter in formation of time & weather

HORIZONTAL OPENING
Preferred by most people provides the most desirables view stimulation along Horizontal Axis. 

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The Color in interior design

            A phenomenon of light and visual perception that be described at hug, saturation, and hue saturation and brightness for light source.
Introduction
            Of all the forms of non-verbal communication, color is the most instant eons. Method of conveying message and meanings.  Colors add tremendous meaning to communication as it vitalizes the visual message, delivering an in stannous impression that is most often, universally under stood. This is especially important in conveying a mood or ideal where verbiage is not important in conveying a mood or idea where verbiage is not used or understood. Color is a universal language the crosses cultural boundaries in our electronically / technologically / state line linked Global Village.

Spectrum
            the distribution of energy emitted by a radiant source, arranged in order of wavelengths, esp, that band of colour produced when sunlight is retracted and dispersed a prism, comprising red orange, yellow, green, blue, indigo and violet.
Reflected color
            The perceived color of an object, dater mined by the wave lengths of the light reflected from its surface after selective absorption of other wave length of the incident light.

Selective absorption:
            The absorption of certain wave lengths of the light incident on a colored surface, the remaining portion being reflected or transmitted.
Additive color
            A color produced by combining light of red, green and blue wavelength these light of additive primaries contain all the wave lengths necessary to produce a colorless white light.
Color wheel
            A circular scale of the spectrum. Showing complementary colors opposite each other. Alsop cooled color circle.
Primary color
            Any of asset colors as red, yellow, and Blue, regarded generating all other colors.

Secondary color
            A color as orange, Green, or violet produced by mixing two primary cools.

Tertiary color
            A color, as brown produced by mixing two secondary colors, or a secondary color with one of its constitute primaries
Advancing color
            A warm color that appears to move towards an observer, giving an illusion of space.
Receding color
            A cool that appears to move away from an observer, giving an illusion of space.









Color factoid:
Colors used out of a familiar context can’t help but fascinate and attract the eye. Especially with food products because the brain is momentarily stunned by the bizarre or unfamiliar usage of color.
Seeing color :
            The human equal act warm colors before cool colors. Generally, warm colors advance and cool color needed the eye, just like the earn responds of waves of energy. The perception of a lobar is determined by the wavelengths which bounce back in to the retain a sensory membrane that liras the eye. Visual information in the form of light is continually reaching the retina and formation in age to the visual cortex.

Red :
            There pituitary gland really springs into action with it sees red stimulating excising.
Orange (friendly vital):
            Temperature wise orange is seen as the not test of all colors. Orange, along with and yellow have been shown to exert on the action mix nervous system which stimulates the appetite
white (pure fright ):
Not unexpectedly, white imparts purity and simplicity,
Black (Strong, classic elegant):
Indelibly imprinted  in the human mind black is most closely associated

Yellow (Warming, Sunny)  :
In every society, yellow is equated with the splendor and heat of the sun. Yellow emulates sunshine, light and warmth. It is a calves that is identified with imagination and enlightenment. In he lightest valuations. Consumers see yellow as cheerful, mellow and soft to the touch. Lemon yellow is also a happy color associated with sweet some what citrus
Green (healing & refreshing fresh):
Green Of all the colors in the spectrum green offers the widest array of choices. 

 tastes, but it is less sophisticated than the cream yellow. Of all color combinations in native, yellow and black is the most un ignorable because of its ancients accusation to dangerous or its ancient accusation to dangerous predators the color of stinging insects and other exotic or scary creatures. A combination of black’s strength and yellow’s energetic but user friendly connotations.

Brown (rich wholesome):
                             Brown is the ultimate each color associated with hearth and home, substance and stability
Blue (cool & dependable):
 As it strongly associated with sky and waters, blue is perceived as a con stand in our lives.






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The Vaastu

Introduction Of Vaastu Shastra Vedic Architecture : 
                                              We often hear devout Hindus say, "Hinduism is more than just a religion; It is a way of life." While members of other religions also like to say the same thing––few devoted people want to think that their religion is not a way of life––there is actually some justification for the Hindu statement. We can say this because Hindu culture has never fully separated its so-called “secular side” from its religious side, something that has taken place in many other religions as a result of the secularizing influence of modernity. We have noted this fact in reference to astrology. Hinduism still includes, not only religion, but also astronomy, astrology, grammar, mathematics, law, medicine, politics, diplomacy, war, love, Vedic mathematical architecture, yoga, musicals, dance and many other branches of knowledge. In this way, Hinduism is holistic. It is not just about theology. Vaastu shastra vedic architect- the ancient Indian science of geopathy can help you live a happy and healthy life if your house is compliant to certain natural laws.

                                                                                         It is popular in many Western countries to hear about the ancient Chinese system of Feng Shui, which attempts to align the energies of the physical world with the life of man. The branch of Hindu learning that includes these ideas is called Vaastu Shastra, Hindu Architecture. In Sanskrit the word “vaastu” means a building or structure and so the expression “vaastu shastra” is the science of structure. Like Vedic astrology, vaastu is a vast and highly developed branch of learning and in this installment I can describe only the most basic principles of this subject. There are, of course, whole books devoted to this wonderful subject and an interested reader is encouraged to study these books, especially if one is planning to build or buy a home, commercial building or land for construction.
                                                                                        Hindu Architecture addresses two kinds of buildings: religious structures––temples and shrines––and non-religious structures, civic buildings, business complexes and residential homes. In Hindu culture, not only is the home and family all important, but so is the actual building where the family lives. Consequently, how a physical building is designed and constructed is a matter of deep concern. Hindu traditions tell us that there are forces, some subtle and others not so subtle, some positive and some negative, around us at all times, and like the Chinese system of Feng Shui, it is in man’s interest to arrange his life to take advantage of these positive forces and avoid the effects of the negative forces. It has been observed that through the proper orientation of a building and other techniques, the positive forces can be focused in a way that will lead to an increase in wealth, happiness, and harmony for the residents of such a building. Conversely, the wrong orientation of a structure and other architectural failures can cause unhappiness, disease and troubles for the inhabitants. The same can be said for other buildings including temples, business and civic structures.

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                                   In our discussion on astrology, we pointed out some of the essential principles of Hindu theology that affect not only astrology, but many other subjects of learning, including Hindu architecture. The first is the idea that the world is a manifestation of the body of God or, more precisely, the world is the body of God. A sacred structure such as a temple is designed to be not just the home of God, but the actual body of God. The building is sacred because it is the Deity directly. The second principle concerns the relationship between the macrocosm and the microcosm. A tiny structure like a temple or a home, compared to the large universe, is constructed as a miniature version, a microcosm, of the greater universe, the macrocosm. And finally, the third principle teaches that the part always contains within itself the whole. Design a building by aligning the universe on the inside with the universe on the outside, knowing that the whole is within, and you control the forces of the universe within that building.

Hindu architecture always begins by laying the cosmic body of God (purusha) over every building site (mandala). This is call the Mandala Purusha. The accompanying diagram illustrates this and shows how this cosmic body is positioned in relation to the site. Notice that the head of “God” lays in the northeast corner. The basis behind this orientation is the principle of maximization of light that is described by the metaphor: the sun equals light, which equals knowledge, which equals consciousness and ultimately spiritual enlightenment. The east is the source of light and of all the points along this eastern axis the north-east point is the most important because it is the point of maximization of light. On June 21st of every year the sun rises in the north-east and this is the day when daylight is longest and darkness is shortest. There is maximization of light at this point and so the north-east corner is called God’s corner (isha-kona). The cosmic head, which is a symbol for enlightenment, is placed in the northeast. It is perhaps a little crude to mention, but notice where the cosmic anus is located. Ancient Hindu culture includes everything! This is the position reserved for the negative forces of the universe, personified as demons. The south-west corner, which is the exact opposite of the north-east corner is not considered an auspicious place and so when arranging a home one should avoid placing the meditation, kitchen, or financial areas in this place.
                   
                                                                                  In addition to the sun, there are, of course, many other powerful forces that affect the life of man, and so these forces have also been considered in Hindu architecture and given their respective places. One of the most common features of  Hinduism is its tendency to personify all things and so these forces are personified as Gods and given their proper “seats” in the various directions of Hindu architecture according to how they are positioned in the macrocosm, the greater universe. See the accompanying diagram that illustrates the sitting places of these powerful forces. Agni, the god of fire, sits in the south-east corner and so this is the ideal direction for a kitchen. Kuvera, the god of wealth sits in the north, so this is the best place for keeping financial matters. In this way, knowing the places of these forces, the next illustration shows the basic arrangement of how any building should  be designed to create an alignment with the forces of the universe. This is the basis of Hindu architecture. Beyond this there are, of course, a large number of details. Below I provide just a few details found in Vaastu Shastra along with my explanations (in italics) to help the reader get an idea of how the system of vaastu works. Exactly how a building is designed will vary greatly according to the site and the needs of the family in the case of a house for example. There is a lot of flexibility built into this system of architecture.
*No garbage should be dumped in the north-east corner of the site or the building. The reason for this is obvious: the northeast corner is God’s corner.
*Lawns and gardens with small plants should be grown in the northern and eastern side. Large trees should only be planted in the south and western sides, never in the east and north-eastern sides. The east is the source of spiritual power and so this energy should never be blocked or obstructed. Blocking the southern direction blocks death. In addition, planting tree in the south and west provides cooling shade against the hottest positions of the sun.
*Beds should be placed so that when one sleeps the head is directed towards the south, east, or west, but never towards the north. A person’s body is a tiny magnet with a north and south pole. One’s head is the north pole. The universe is also a magnet (a very big magnet!) with a north and south pole. Polaris, the north star, is the north pole of the universe. Place two magnetic poles together and there is a repulsion. So to sleep with one’s head in the directions of the universe’s head is the same as placing two north poles together. There is repulsion. Therefore sleep will be better when the head is placed towards the south or another direction other than north.
*Main doors should open to the east, north or west, but never to the south.
The east is the source of divine light and therefore this is the preferred placement for the main door of a house. The south is the direction of the God of death and so a main doorway should not open to death.
*The site should be higher in the west than in the east. By sloping slightly to the east the site is open to the east, the source of divine light. In addition, a slope provides for water drainage.
*The staircase should be located in the south, west or south-west corner. The stair or elevator area is not considered useful living space so these things are relegated to less important areas of the building.

*A Kitchen should be located in the south-east corner, but may also be in the north-west corner. In either case the cooking area should allow facing east while cooking. The south-east  the place given to the fire divinity, Agni. A kitchen involves fire, so the placement is obvious. The cooking fire is a miniature sun and therefore light, so facing the cooking fire and facing east while cooking is facing light.

*A Kitchen should never be in the south-west because it will endanger the health of residents. Notice that the south-west is the  place of the cosmic anus, so placing the kitchen in this location is not favorable for health. Instead the south-west is the proper place for toilets, garbage and storage of things like tools.
*The site should be square or rectangular. Sites with triangles, round shapes, with five corners or more, or having odd shapes should be avoided. Symmetry is the basis of Hindu aesthetics, Odd shapes “confuse” or otherwise obstruct the flow of energy and create an imbalance of energy. A shape such as a triangle does away with one whole flank of energy.
*The treasury should never be located in the west or south-west. The deity of wealth resides in the north and so the financial part of a house should be in this position. As we have noted, the south-west is the place of negative energy, so one should avoid subjecting wealth to negative energy.

*A Kitchen should never be in the south-west because it will endanger the health of residents. Notice that the south-west is the  place of the cosmic anus, so placing the kitchen in this location is not favorable for health. Instead the south-west is the proper place for toilets, garbage and storage of things like tools.
*The site should be square or rectangular. Sites with triangles, round shapes, with five corners or more, or having odd shapes should be avoided. Symmetry is the basis of Hindu aesthetics, Odd shapes “confuse” or otherwise obstruct the flow of energy and create an imbalance of energy. A shape such as a triangle does away with one whole flank of energy.
*The treasury should never be located in the west or south-west. The deity of wealth resides in the north and so the financial part of a house should be in this position. As we have noted, the south-west is the place of negative energy, so one should avoid subjecting wealth to negative energy.

*The meditation area ideally should be in the north-east, but should never be in the south-west. 
The north-east is God’s corner and the south-west is for less positive things. The placement for meditation is obvious.
Finally, here is a sample home design that conforms to the principle of Vaastu Shastra. I provide this just to give a simple idea on how a building can be designed. There can be many many such designs.
What I have described in this short discussion on Vaastu Shastra is only a basic outline of what is a detailed and complicated subject. In spite of this, I have provided the essence of the subject matter as far as residential homes are concerned. There can be endless designs and there are many ways to adjust the designs and even design methods andpujas that can be performed to settle or neutralize problems and defects in the site and even in existing homes.

EMOTION OR PSYCHOLOGICAL RESPONDS SUCH AS


Relaxation,
Interaction
Holistic & Since
Contemplation
Tension
Pleasure
Gaiety
Love

RELAXATION : Simple, curvilinear forms and spaces, Evident structural stabilities pleasant and comfortable shapes, soft light, low sound, Quiet colors. White gray, Blue, Green.

INTERACTION : Unobstructed spaces by movement, human scale, a sort of a defined area  with preferably with an overhead plane.

HOLISTIC AND SERENE: http://www.nebulaedeveloper.com/
                                                   Form and spaces that remind as of the ancient temples and holy places i.e Natural sounds such as bliss, water flow nearby etc. privacy – establishment of a kind of personal space enclosed are with the horizontal and vertical planes.

Space
The three dimensional field in which objects and events occur and relative position and direction, ESP a portion of that field set apart in a given instance or for a particular purpose.

Mediating Space.
A space occupying an intermediate place on position, esp., to serve as an intermediary between differing forms, structures, or functions. Circulation
Place
            A physical environment having particular characteristic or used for a particular purpose.  
Path:
A route or course along which movement occurs, or the pattern of such movement.

Circulation The passage of persons or things from one place to another or through an area.

Edge :
A line or narrow part where an, area begins or ends.
Transition:
 Movement, passage or change one from. State, or place to another.

Threshold :
A place or point of entering or Beginning.




THE FORMS & SPACES.


THE  FORMS & SPACES.  http://www.nebulaedeveloper.com/
HUMAN RESPONSES POSSESS TO BUILT FORMS & SPACES.

The yoga campus needs certain characters to be portrayed in the form of many elements of site, the articulation of many elements with respect to the site features would give the right kind of setting for the campus which is the ultimate out come or this dissertation.

THE STUDY COVERS PERCEPTION & EXPERIENCE
Environment,   Path & Place ,Visual propertied of form ,Symbolic forms.

PERCEPTION & EXPERIENCE
                          It is not enough to see architecture. We must experience it. And it is important to not that architectural form & space is not apprehended by sight only. The smell of materials, inhabitants, food surrounding, the feel &Texture of materials and surface, the sound of echoes and footsteps. All are part of the complete architectural experience. The principal means through which we experience architecture is through sight  and movement.
Movement, spatial sequence and time create the fourth dimension of our perceptual realm, and are an essential component of the experience of architecture. The movement through space is the most important means through which we assimilate architecture Experience. The ease or difficulty of walking along the path and its surfaces texture, the scale & distance of the shifting views as we move along the route. Inclines and steps, al form part of the experience of approaching and passing through architecture.

Peripheral filed of vision is an important component of judging how fast we are moving through a space. Ex. Narrow corridors of colonnades make us feel like we are traveling faster sight is the primary (element) means through which we structure, interpret and understand our environment. One of the principal ways we visually measure and judge our environment it through comparison.
A process that occurs in 2 steps.

1.      We place ourselves in relation to the space, determining the size, proportion. And interrelationship of its constituent elements, & their relationship to ourselves.

2.      When we then move from the first space to the next, we compare what we know with what we don’t know, measuring the objects in the second space, based on the measure of the first.

Moreover we are visually predisposed to choose the familiar over the unfamiliar. Various types of spatial characters of varying volume induce a predetermined.  http://www.nebulaedeveloper.com/



Sunday, 19 January 2014

The Architecture INTRODUCTION

The Architecture
INTRODUCTION     http://www.nebulaedeveloper.com/
                                                 Architecture is not just to satisfy the functional requirements of a particular programmed but a lot more to enrich the peelings of space, form & order which ultimately enhances the quality of architecture to a very great extent.          Architecture is not just confined to just materials, techniques of construction. But extends into a very  cast filed of creativity which considers the psychology of the users who are at the receiving end of the benefits of architecture.
                                                  Architecture is for the people, without them these are just too pieces of composition and construction. Hence their  responses to the built forms & spaces reveals the right kind of approach needed for handling spaces for various functions. Human responses can neither be fully particularized nor fully generalized as it is a very delicate phenomena.     But as human beings are organisms with memory panels (brain) with an order already established set of variables regarding various spaces. These variables can be generalized to some extent & spaces that a campus for yoga would demand this are the objective of this study on.

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